Monolith #1
Illustrated by: Valerio Giangiordano
Written by: Sean Lewis
Image Comics
2024
*Teeny-tiny spoilers, unless you already read the first print in May, then you already know..
The origin of the hulking Hellspawn is finally revealed. What connection does he have to one of the most savage of his kind, Omega Spawn? Follow his journey from the cosmic depths of deep-spawn to his first encounter with Al Simmons in this three-part miniseries!
In the ever-expanding universe of Spawn, “Monolith #1” emerges as a narrative that delves into the origins of a formidable Hellspawn. Illustrated by Valerio Giangiordano with a cover by Todd McFarlane, and penned by Sean Lewis, this issue marks the second printing of a tale that seeks to shed light on the enigmatic connection between the protagonist and Omega Spawn.
The comic opens amidst the throes of conflict between Monolith and Omega Spawn, setting a tone of relentless action from the outset. The artwork, consistent with the high standards of the Spawn series, carries the narrative with its dynamic and expressive style. Giangiordano’s illustrations are a highlight, capturing the intensity and chaos of the cosmic battlefield.
However, the story itself seems to tread water, offering little in the way of new insights into the character of Monolith. For readers seeking to deepen their understanding of this particular Spawn, the issue may leave them wanting. The narrative relies heavily on a monologue that, while informative, does not advance the plot significantly. It feels more like a backdrop explanation, a guide to the visual spectacle rather than a story progressing in its own right.
Despite this, fans of high-octane action will find “Monolith #1” a thrilling read. The comic delivers on this front, with scenes that are energetic and engaging. The surprise appearance of a meaningful Spawn Universe character adds a layer of intrigue, though it serves more as a cameo than a pivotal plot point.
Comparatively, “Monolith #1” does not quite reach the narrative heights of other titles within the Spawn Universe. It lacks the depth and character development that some readers might expect, especially when considering the rich tapestry of stories within the Spawn mythos. Nevertheless, Sean Lewis’s writing, particularly his work on “King Spawn,” has garnered a positive reception, and there is potential for future issues to explore more substantial territory.
For those drawn to the Spawn Universe for its visual artistry and action sequences, “Monolith #1” will not disappoint. It stands on it’s own with the enduring appeal of Spawn’s world, even if it leaves some narrative desires unfulfilled. As the series continues, one hopes for a more layered exploration of Monolith’s character and his place within the grander narrative.
If you’re a fan of the Spawn Universe you can also read my reviews of Misery #1 and Rat City #1.
About Author
